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No, it’s crucial you’re around for the shoot if you can make it. What? I thought I was only editing this production. If you have any doubts, discretions, or creative input, it’s a good idea to frame it as: “If I were the viewer this is how I’d imagine seeing it…” This helps put your creative input in the context of the end users, which at worst will help the visionaries realize that you’re acting in their best interest. Be a good listener, the director or band leader will have a vision for the video itself and you have to carry the vision to the viewers’ eyes. Why is this song in a major or minor key? What would you say the mood is? Why did you open the song in this way? A deeper understanding of the song is always good. Ask questions about their own musical decisions. It will help you better define their style and may help guide your work when you’re a bit lost. Not just the music video you’re editing, but also songs from the entire album. We’ll revisit this topic in more depth later.Īrtists are finicky bunch, am I right? Luckily, we’ve got some simple tips for working with these visionaries. Timeline markers help you visualize where those beats occur and streamline this technique greatly. As we mentioned previously, one of the more important music video editing techniques is editing on the beat of the music. Lastly, keep an eye out for timeline markers.

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Look for the more expensive options, Adobe Premiere Pro ($1699, Production Premium Suite), Final Cut Pro X ($300), and Sony Vegas Pro 10 ($600). This feature will save you a bundle of time if this is the nature of your work. Multi-camera editing is perfect for the editor who wants to edit live music events with multiple points of view (cameras). Actually, you don’t need most of this stuff unless you’re going to be cutting a lot of music videos, but two features to keep in the back of your mind as you learn are multi-camera editing and timeline markers. These additional features may also include more options of the type of video and audio you can import into your project and many more choices as to what types of files you’ll export. All of these options give you a lot more bang for your buck: more video controls, more video effects, more audio controls, more audio effects, etc. On the Mac, you can go straight to the big-boy digital video editing software, Final Cut Pro X ($300).

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Digital video editing software for the PC like Adobe Premiere Elements 10 ($100), Sony Vegas Movie Studio HD Platinum 11 ($95), and Pinnacle Studio HD Ultimate Collection ($130) are noteworthy upgrades from the previously mentioned freeware.

Some of you may want to jump ahead of the class with more advanced music video editing software.

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Any version of iMovie will do, although make sure your version is compatible with HD video if you have an older Mac computer and will be cutting your production in HD video. If you’re on a Mac, you can do the same music video editing techniques as Apple iMovie.

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It’s all about pacing and to do that all you really need is a program like Windows Live Movie Maker that can make simple cuts. The reason is that the core principle of music video editing technique is cutting to the beat of the music. The truth is, music video makers don’t need much to make the most of music video editing software. It has plenty of features to do basic music video editing.

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The latest version of Windows Live Movie Maker is free for the Windows users out there. Let’s take a closer look at the free video editing software first. However, as you climb the ladder into more difficult productions, you’ll probably want to look for more advanced tools.

In fact, most digital video editing software will do the trick for beginners. The good news is that you don’t necessarily need the best music video editing software money can buy. Let’s start with the gear – aren’t musicians gear heads, too? Well, so are video editing dorks like us. Let’s look at what it takes to become a better music video producer. With the rise of viewership of music videos since MTV began in 1981 and the somewhat ease of digital video editing, it seems nearly all bands have at least one member with a few music video editing techniques up their sleeve. Director Spike Jonze, Where the Wild Things Are, was a well know music video maker, creating various Beastie Boys music videos long before he started directing feature films. Many great directors today got their start doing music video editing.

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